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Shooting Hoops

To many people, the term “shooting hoops” means grabbing the ball and heading down to the park for a game of pick-up basketball. To me, it’s another facet of my job. Here’s how I shoot hoops for the Miami Hurricanes.

I’m a bit of a equipment minimalist when it comes to photography. I don’t keep and cart around much more photo gear than I need on a daily basis. It is, after all, a business, and if gear isn’t working for me on a regular basis, then it’s not generating revenue. So the following is what I use while shooting men’s and women’s basketball for UM:
Camera #1 is hand-held with me on the corner of the floor. I use a Nikon D300s with a 70-200 f2.8 lens attached.


Camera #2 is a D300 with a 17-55 f2.8 lens attached, and I attach it to the basketball stanchion with a Manfrotto Magic Arm and clamp.

Camera #3 is usually a D300 with a 12-24 f4 in front of me on the floor looking up towards the paint.  However, I recently bought a Canon G12 (a point & shoot which many pros keep in their bag) and noticed it had a remote jack, so it served as Camera #3 last night, mounted on the catwalk above the scoreboard.

My strobes and remotes are fired using Pocket Wizard radios. The strobes are Speedotron 2401SX packs with quad lampheads, permanently installed on the catwalk, one in each corner with the fifth set for down court fill.

Here’s a result from position #1:

1/250 f6.3 @ 200 ASA

Here’s a result from position #2:

1/250 f7.1 @ 200 ASA

Here’s a result from position #3:

1/400 f7.1 @ 200 ASA

The overheads in the BankUnited Center are a challenge. Like I stated in my previous post, there is no catwalk directly above the baskets like there were in the Miami Arena. As you can see from this image from above the scoreboard, the view has many obstacles. This may prove to be such a low percentage shot that I may abandon it altogether at some point. If I had to dedicate a $4000 camera and lens in this position, I would have abandoned it already.

Something to remember: by using strobes, I have only one shot every two and a half seconds. That’s how long it takes the Speedos to recycle to full power – no high speed motor drive here. Timing is everything. Using strobes also allows me to use the G12. Its poor drive and focus speed are not a factor here, but how I make the G12 work is another topic for another day, as is my post-game editing workflow.

The Wide, Wide World Of FSU Kickers

“This is the one game I came here for, the one game every UM football player came here for, to beat the hell out of Florida State,” – Miami LB Jordan Futch, 2010.

The Miami Hurricanes and Florida State Seminoles meet once a year, and despite what the haters say, the match-up is often the most anticipated game in all of college football each season.
Last season’s battle between the two in-state rivals drew a stellar 5.1 U.S. rating and 8.4 million viewers on ESPN. The 2006 game was the most viewed college football game in ESPN history, averaging  6.3 million households for a 6.9 rating.

“At the start of the fourth quarter, we knew we were the better team. But they knew they were going to win.” – FSU LB Kirk Carruthers, 1991.

One reason for those ratings might be the five games in a 12-season span in which the game came down to 18 feet 10 inches, the distance between those two metal poles in the back of the end zone called uprights on a goal post.

“I think the curse is they’re on our schedule. They’re going to chisel on my tombstone, ‘At least he played Miami.'” – FSU Head Coach Bobby Bowden, 1991.

Below is a brief history of those five games.

Wide Right I – 1991
In a rare in-season #1 vs #2 matchup, ‘Canes running back Larry Jones gave Miami a 17-16 lead on a 1-yard touchdown run with three minutes to play.  FSU kicker Gerry Thomas missed a 34-yard field goal to the right with less than a minute remaining, and a legend was born.

Wide Right II – 1992
FSU kicker Dan Mowrey missed a 39-yard field goal to the right, and the Seminoles lost to the defending National Champion Hurricanes in the Orange Bowl Stadium in Miami, 19-16, in a four hour marathon. This game is also notable among the Hurricane Nation for Micheal Barrow’s brutal hit on FSU’s Tamarick Vanover.

Wide Right III – 2000
In Miami’s Orange Bowl Stadium, the ‘Canes took a 27-24 lead after Ken Dorsey threw a 13-yard touchdown pass to Jeremy Shockey with 46 seconds to play, then FSU quarterback and eventual Heisman Trophy winner Chris Weinke promptly moved the ‘Noles into field goal range during the final seconds. FSU kicker Matt Munyon missed a 49-yard field goal attempt to the right, knocking the defending National Champions’ from the #1 spot in the polls.

Wide Left I – 2002
In Miami’s Orange Bowl Stadium, the defending champion Hurricanes took a 28-27 lead with only minutes remaining in the game on a 11-yard touchdown run by Jason Geathers with a little over five minutes remaining. Once again, the ‘Noles drove down the field to give kicker Xavier Beitia a chance to win the game with a last second field goal. Beitia missed the 43-yard attempt to the left, giving the ‘Canes the victory.

Wide Right IV – 2003
In the 2004 Orange Bowl Classic, played in Pro Player Stadium, FSU kicker Xavier Beitia missed a 39-yard field goal that would have given the Seminoles the lead with just over five minutes remaining in the game, and the ‘Canes prevailed 16-14 in the second meeting of the two teams that season.

Vince Wilfork

Miami Arena? Yeah, I Miss It

Miami Arena? Yeah, I miss it.

With its small capacity and lack of suites a beancounter’s nightmare, they did get one thing right.

The catwalks. Rafters. Whatever you want to call them. Most of you never looked up there, let alone walked on them. But with their placement, they were perfect for us photographers. For basketball, they crossed right above the rim on both ends. Another pair even lined up perfectly over goal for the Florida Panthers’ first five seasons.

I often mounted a remote over the basket in those days, as evidenced by the shot of James Jones against Providence College in 2000. This image is one of 290 images from the 2000 season I recently uploaded to the Caneshooter Archive. The ‘Canes won the Big East regular season championship that year and advanced to the Sweet 16 in the tournament.

When the ‘Canes moved to the BankUnited Center on campus, our perfect overhead remotes were history. The new building’s catwalks span the outside perimeter of the floor, and only one crosses the court, right above the scoreboard. There is one location for an off-center view of the hoop, and I may try it out this upcoming season.

So despite the inch thick layer of dust, chalk marks of how many bolts were loose and occasional rat, I kind of liked the “old” place. I’m likely the only one.

When “The Wizard” was on a FSU Football Program Cover

After reading “Cane Mutiny” author Bruce Feldman’s retweet from Heath Cline about the 2010 FSU media guide featuring Rhodes Scholar Myron Rolle on its academics page and misspelling his name “Myrone,” I was reminded this gaffe wasn’t the most egregious one in ‘Noles Sports Information history.

Back in the fall of 1982, Florida State printed 10,000 copies of its 125th Anniversary special edition football program before someone noticed one of the fans on the cover was none other than Miami Hurricanes baseball coach Ron Fraser. Fraser, fresh off the ‘Canes first College World Series title, was photographed as part of a crowd shot with his daughter Lynda, who attended FSU at the time. While Fraser is a FSU alum, his claim to fame being “The Wizard of College Baseball” was due to his success of leading the rival Miami baseball program to national prominence.

Needless to say, the program was pulled after the discovery.

Neither case compares to the Florida Gators putting a photo of a crocodile on the cover of their 2003 media guide. Only in “Floriduh!”

Thanks to John Clough for the Rolle story and to Karen Fraser for the program story and the copy of the program shown above.

A Pirate in the Midst


Yesterday, I signed into Facebook and was surprised to see a friend had been tagged in a photo of a photo – specifically, “The U Pro Bowl” photo we posted on our blog back in February shot by my assistant, Eric Espada.

The photo had been enlarged to what looks like a 16×20 print and professionally matted and framed. The text below the photo stated prints were available for $25 and framed for $85.

We have never authorized this image for reproduction, other than to UM for inclusion in their website and media guide. Only a couple of prints were made for close friends, and not at this size and ratio.

A little investigation revealed the offender’s name, high school, college and employer. Further talks with people involved with UM and the autograph business revealed he was a former ball boy for the Hurricanes. So how did he get the image? We believe he got it from someone inside UM, and this wouldn’t be the first time this has occurred. Because it was likely carried out by someone inside the Canes family it is all the more insulting and offensive. It’s also not the first time a graduate of Cooper City High School pirated our work.

Even though UM helped arrange this shot, in the end, the copyright lies with the photographer, Eric Espada.


I have fought the piracy of our photos for years. I have seen our photos many times on eBay. The pirates have copied our images from magazines and have even somehow acquired original files from an insider at the athletic department. I once caught a former Hurricanes baseball player doing it. I also caught someone doing it who, after being suspended by eBay for these acts, implied a threat of bodily harm against me for protecting my own work. That person now works for an nationally-known autograph and trading card authentication service!

I have also seen our images pirated at memorabilia shows. In most cases, when called out, the dealer/seller usually claims “I bought them at a card show” and when pressed for more information they “can’t remember” where they got them.

Now it appears the new excuse is “I got it from Getty.” It was the first excuse our pirate from the University of Central Florida used in his defense of the Pro Bowl photo.

Many pirates buy and share passwords to Getty and other wire services and steal all the files they want. The company, which has almost single-handedly destroyed the sports stock and editorial market, appears indifferent to piracy of their photographers’ work.

My contention concerning pirated works on eBay and at memorabilia shows is, “If the photo is pirated, then why would you trust that the seller acquired the genuine autograph?”

So how can we tell the image is ours? Sometimes the images just stick out because the other crap being offered on eBay and other venues is horrible. I always cross-check those images I believe are our property with our archive, looking for minute matching details in the images.

You may have also noticed we only offer 8×12’s instead of 8×10’s of most images from the “revenue sports” at UM. The reason is twofold: The images come out of our cameras at a 2:3 ratio (8×12) and also because a familiar image, made into an 8×10, on an auction site immediately catches our attention. We do supply 8×10’s to Allcanes for their annual player signings.

In another example, I had a shot from the 2002 Miami @ WVU game of Willis McGahee running between two defenders. Even though the print was originally sold as an 8×10, I have only sold the print as a limited print signed and numbered by Willis. The print offered on eBay was apparently unsigned, telling me it was a pirated work.

“People will pay if you make it easy, convenient, and a good value. Marketing 101.”

That model has worked for Apple and their iTunes music store. Apple cut through the nonsense and figured out a way to reach a middle ground between piracy and compensation. Customers have downloaded billions of songs in response.

The difference between the music and photography industries is most music pirates are grabbing files for personal use and not trying to resell the material to the general public. In our case, the pirates are making an often-inferior product and selling to the unsuspecting public for profit.

Instead of spending time and energy on a guilt message, we are trying something more focused on becoming a partner with the customer. So last year we started offering digital downloads for $2.99 with the freedom to use those images for your personal use, such as on blogs and social media pages. We also post compelling images on our blog and Facebook page, which you can use personally in electronic form as long as you don’t remove our credit line at the bottom or the IPTC data. We are also dropping the price of an 8×12 photo to $14.99 this fall. We hope these actions are a “middle ground” for most of you.

One thing we will not knowingly condone is the blatant piracy of our images, especially from a Scoop Orlando bartender who is trying to profit off our hard work, sweat and expertise.

Forty Scored Seven Years Ago


Today marks the 7th anniversary of the ‘Canes last appearance in Morgantown, WV. Why is this significant, you ask?

It’s not that the ‘Canes amassed 524 total yards in the 40-23 victory over the Mountaineers.

Nor is it that it was Miami’s 800th game, or that Miami tied a school record with its 29th straight win, or even that Ken Dorsey moved into the top spot on Miami’s all-time list for passing yards, completions and total offense, surpassing Gino Torretta in all three categories.

The real reason for celebration is that we won’t, in the foreseeable future, have to go back there!

Since this blog is a positive blog, we won’t tell you about Danyell Ferguson’s fan-fueled rocky ambulance ride (1996), Randy Shannon taking a garbage can to the head (hurled from the upper deck, also 1996), the student section’s propensity for tossing liquor bottles at the opposition (pick a year!), or even my personal experiences with a drunken fan breaking my monopod in a post game celebration (1993), the thrown orange I took in the back (1998), my several run-ins with frat boys, fans or alumni spitting tobacco at me (1993, 1996, 1998, 2000) or any of the other welcoming behavior we experienced on the campus of West Virginia University.

I know that not all West Virginians, or even all Mountaineer fans, are represented by the examples I named above; those we did encounter were bad enough that I am happy not to have to go back there again, even though we are 7-1 all time on their tobacco-stained turf.

WVU fans’ classlessness isn’t limited to Miami. Jay Coulter writes: “Talk to an Auburn fan who made the trip to Morgantown last year and you’ll almost certainly hear a bad story. Many that made the trip say the fans were the worst they’d encountered in all their years of traveling to games. They were described as rude, classless and mean spirited.”

That’s a lot of swagger from a team whose all-time greatest accomplishment includes spending one entire week of being ranked #1.

So today marks the celebration of seven Mountaineer Field-free years; here’s to many, many more. I can’t think of anything more positive!